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	<title>Comments on: Gravity No. 1</title>
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	<link>http://kristiner.com/blog/2009/01/03/gravity-no-1/</link>
	<description>trumpeter, composer, improviser</description>
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		<title>By: 31 Days Of Album Reviews #8: Two By Empty Cage Quartet &#171; Burning Ambulance</title>
		<link>http://kristiner.com/blog/2009/01/03/gravity-no-1/comment-page-1/#comment-436</link>
		<dc:creator>31 Days Of Album Reviews #8: Two By Empty Cage Quartet &#171; Burning Ambulance</dc:creator>
		<pubDate>Sat, 08 May 2010 05:58:06 +0000</pubDate>
		<guid isPermaLink="false">http://kristiner.com/blog/?p=399#comment-436</guid>
		<description>[...] Gravity is divided into two suites, “Gravity” and “Tzolkien,” and the quartet switches back and forth between the two, performing a section or sections of “Gravity” on one track, then a section or sections of “Tzolkien” on the next, and on and on. Honestly, without looking at the CD (Clean Feed’s releases come in really nice little cardboard folders) it’s difficult to tell which piece they’re digging into at any given time. Each has propulsive, swinging sections, and each has drawn-out, Art Ensemble of Chicago-ish, you-make-a-noise-and-then-I’ll-make-one sections. So there’s no lurching back and forth between styles, just 55 minutes or so of highly communicative improvisation. There’s a system at work—according to the liner notes, it has something to do with the Mayan calendar, or “harmonic palindromes”—but that won’t matter to the casual listener. Only the beauty of the music, which seems Chicago-esque to me, counts. (If you really want to read more, click here.) [...]</description>
		<content:encoded><![CDATA[<p>[...] Gravity is divided into two suites, “Gravity” and “Tzolkien,” and the quartet switches back and forth between the two, performing a section or sections of “Gravity” on one track, then a section or sections of “Tzolkien” on the next, and on and on. Honestly, without looking at the CD (Clean Feed’s releases come in really nice little cardboard folders) it’s difficult to tell which piece they’re digging into at any given time. Each has propulsive, swinging sections, and each has drawn-out, Art Ensemble of Chicago-ish, you-make-a-noise-and-then-I’ll-make-one sections. So there’s no lurching back and forth between styles, just 55 minutes or so of highly communicative improvisation. There’s a system at work—according to the liner notes, it has something to do with the Mayan calendar, or “harmonic palindromes”—but that won’t matter to the casual listener. Only the beauty of the music, which seems Chicago-esque to me, counts. (If you really want to read more, click here.) [...]</p>
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		<title>By: Two New CDs Out Now &#171; Kris Tiner</title>
		<link>http://kristiner.com/blog/2009/01/03/gravity-no-1/comment-page-1/#comment-71</link>
		<dc:creator>Two New CDs Out Now &#171; Kris Tiner</dc:creator>
		<pubDate>Mon, 21 Dec 2009 18:04:41 +0000</pubDate>
		<guid isPermaLink="false">http://kristiner.com/blog/?p=399#comment-71</guid>
		<description>[...] record two new extended works &#8211; the Tzolkien series by Jason Mears and my own first series of Gravity compositions. That recording is out now on Lisbon-based Clean Feed Records. Here is the official [...]</description>
		<content:encoded><![CDATA[<p>[...] record two new extended works &#8211; the Tzolkien series by Jason Mears and my own first series of Gravity compositions. That recording is out now on Lisbon-based Clean Feed Records. Here is the official [...]</p>
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